I guess it’s not by chance I spent
Find what’s yours . . . truly, danscir52
copyright 2014 Dan Christensen all rights reserved
Thrifty DIY to Please the Eye
I guess it’s not by chance I spent
Find what’s yours . . . truly, danscir52
copyright 2014 Dan Christensen all rights reserved
Eyes closed, my hand retrieved the reading glasses from my nose.
I let my forearm glide along the front edge of the couch
while the glasses slipped unbroken from my sleepy fingers.
The street had just gone quiet on the cusp of night–
a first cold evening in October of these last
we can still see twilight at 7 (until Daylight Savings
comes again). The room had dimmed.
Scared awake suddenly by my perfect,
theatrical dying gesture–and aware of my aloneness–
I wondered:
Will I make a long exhale
some evening before winter settles in
not noticing how my fingers have released their grip
on instruments of sight?
Will I sense my way alone along a street I don’t remember
ever quite as silent?
Will I then look back and miss this sprawl of body
pressing cushion, and the heavy back of hand
against a floor?
Find what’s yours . . . truly, danscir52
copyright 2014 Dan Christensen all rights reserved
Find what’s yours . . . truly, danscir52
copyright 2013 Dan Christensen all rights reserved
Half serious, Aunt Marrian, my mother’s sister, used to describe the cemetery monument she expected to be placed in her honor: A carved figure of heroic proportions–an ageless woman with face toward the sun, loose hair flying and voluminous skirts billowing behind her. Aunt Marrian wasn’t asking much. She just wanted to be remembered and respected.
This while her husband, my father’s brother (yes, brothers married sisters), Uncle Owen, persisted in calling her distant hometown, “Dogpatch”–as if he had rescued his wife from a barefoot, toothless, uneducated existence. Truth be told, both my aunt and uncle seemed plagued by feelings they would never measure up to the expectations of their respective parents–most of whom had already died before the two became an item.
As a teenager, Owen–his older siblings had moved out–was suddenly the man of the house. He experienced up close and personal his mother’s terror at losing the breadwinner of the family while having debts all over town. The Depression had been running for many years. Banks, businesses and utilities couldn’t afford to forgive these negative balances even though the Christensens were their friends. Owen’s mother’s emotional needs were an unhealthy burden for his eighteen-year-old shoulders. He disappointed her by dropping out of college. Two years later, his mother died also. From then on, Owen spent his life working endless hours–except for the three weeks in 1966 he stayed home to recover from a heart attack–insulating himself from obligations to anyone else.
Marrian was sixteen when her father died. Her mother bore grief and loneliness stoically while she sent sons into World War II, cared for two daughters still at home. Three years into family life without a father, Marrian was in college and began dating the orphaned Owen. He was anxious to marry her and Marrian’s mother pushed the idea of her daughter settling down. The match was made. Marrian gave up mostly-carefree co-ed life for total enmeshment in Owen’s quest to save the family farm.
She moved from the familiarity of her hometown to join a family distressed by recent deaths, financial problems, other incidents. Owen was strong. Strong enough to keep everyone happy–he must have believed.
With much to prove to her new in-laws who, by nature, were offish to outsiders–especially toward this petite, teenage wife–they immediately judged as pampered–who was even younger than their youngest brother–Marrian threw herself into the chores of processing and bottling milk, churning butter, gathering and packaging eggs–while cooking, baking, and keeping house. She carried on housewifery much as her mother had practiced it–and who had essentially chosen it for her–but marital bliss eluded Marrian.
She felt herself compared unfavorably to the former lady of the house who, granted, was a remarkable woman. A wise neighbor, seeing what was going on, told Owen he wasn’t going to find a wife like his mother (whom Owen had observed as an accomplished matron forty-five years Marrian’s senior). Perhaps the neighbor got tears in her eyes or a catch in her throat when she said this–after all, she had lost a close friend. However, this remark and others were interpreted by the family that theirs had been the rare blessing–if but for a few short years–of sharing the presence of an almost supernatural being, highly-favored of the gods.
We call this perfectionism and OCD now. I don’t know what the mental health professionals of the day called it when Owen’s unmarried sister was treated at the state hospital with a breakdown. Marrian would care for this sister-in-law–but was not to speak of it.
Owen occasionally escaped all these pressures taking trips with friends. Marrian resented being left alone. Yes, she was among plenty of other young wives surviving by themselves–after all, it was wartime. But they probably didn’t like it either. (Actually, there was a bit of cultural shame that Owen and his friends weren’t fighting overseas–even though their exemptions came from health or being stewards of the nation’s farms.)
Marrian was nineteen. She couldn’t see that, a half-century later, she would be included with the people one author called “The Greatest Generation.” Her motivations were close to home: expectations of Owen, pulling her weight in the relationship, keeping a clean house, hanging out spotless laundry. But the drudgery was wearing on her.
Insult to injury, her own mother pronounced disapproval about Marrian’s appearance. Upon arriving for her first visit to the love nest, Mother uttered the fateful words: “Marrian, you’re looking a little ‘married’.”
The remark galvanized the young Marrian. As a single girl, she had always been careful with the way she looked, particular about her clothes. She redoubled her efforts. As her babies and other life changes came–bringing extra pounds–she experimented with weight-loss dieting. Her determination proved she could sometimes lose a pound a day in preparation for a trip “down home.” She kept her fashion flair alive to accent her slim figure and stunning face–black eyes, pale skin, high cheekbones, radiant smile. She eventually regretted some of the measures she took for vanity–having crooked teeth extracted, wearing shoes sized too small. Oh, and there were naysayers when she got a nose job in her forties, a facelift in her seventies. And, despite great effort, she couldn’t endure wearing contact lenses.
But, in all, Marrian succeeded at beauty.
Try as she might, Marrian didn’t find the satisfaction her mother had as a full-time homemaker. She cooked, she gardened, she canned produce, she sewed, she collected antiques. Her children were well-dressed, well-thought-of, smart. Her home beautifully appointed and maintained. She and my uncle socialized with other couples, joined Rotary but, when he was at home, Owen worked in the yard. He left before dawn–before the house stirred. Aunt Marrian was restless; she was in her mid-thirties; her marriage was troubled; she declined going through another pregnancy.
In youth, there were limitations on fulfilling her dreams–some imposed by the Depression and war. But she had money and time now. Her youngest had started school. What would she do? Her older children were taking music lessons. Playing piano had been very important in the home where she grew up but there hadn’t been much money. She now began serious study with a teacher. She also became a church organist. She planned a new house and oversaw all the details of construction.
Marrian then decided to enroll in a nearby university’s interior design program. She kept at it and finished the requirements for a bachelor’s degree–except the class in rendering. Her stated reason for avoiding the class was fear that she wouldn’t have the skill. But I wonder–since she later became an accomplished oil painter–if she resisted graduation with its attendant expectations of getting a job in the field. Part of her still lived for the carefree young girl.
Sometime during this part of her life, I began studying Spanish at the same nearby university. Like Marrian’s son, my cousin, I was on a mission for our church. My aunt offered to pick up my laundry, paying it forward in hope that someone in another part of the United States would take care of her son. I accepted the offer. She and I passed the clothes back and forth without seeing each other (except one Wednesday when I sensed she would be coming up the walk and staged a brief, unplanned meeting) but each week I included a note when I left my bundle in the dormitory mailroom. When my white shirts appeared on hangers (ironed), my undergarments and socks washed and folded, there would be a note pinned on for me. For nineteen years, I had held somewhat equal status among the forty nieces and nephews she and Owen shared. Now her service and the messages we wrote started to make me someone special.
Five years later, I returned to that university ostensibly to train myself for a career. Unlike my cousins and siblings–my age, older, and some younger–I wasn’t married.
Like Marrian, I had been born into my nuclear family after traditions were established, expectations set. Also like my aunt, I was good in all the arts. Perhaps like her, I was taught that what I wanted to do with my life was considered play, not work. Graduate school was supposed to teach me to work.
Aunt Marrian became an important mentor: I don’t think either of us was clear about my post-baccalaureate pursuits. We carried on anyway.
It was a sunny, mild fall. We had both been noticing milkweed pods–unspoiled because of delayed storms–that dried along fences, the marsh grass plumes–like buff-colored cotton candy–that stood in receding wetlands, and the dark red seed stalks we called Indian tobacco. We sensed an urgency to gather in (what we hadn’t sown)–beauties of the season to make dried-weed arrangements–all the rage in DIY decorating at the time. Aunt Marrian had experience with these things. We planned our first joint project for a particular Saturday.
I learned some things about design: 1. Offered a seemingly endless harvest of weeds, I succumbed to the temptation of hauling too much; 2. Some plants that sang to me in the fields when seen against other vegetation or dirt didn’t translate well when placed in a container (“It looks like you used all your dogs,” was Aunt Marrian’s unvarnished appraisal of my first attempt on the design table we set up in her basement); and, 3. Uncle Owen–who had spent the day at his place of business with the other men in his family–complained at coming home to the chaotic wake of my creativity. (Aunt Marrian sent an SOS to remove leftover weeds from their storeroom. “Good thing you’re Owen’s nephew too!” she communicated later with a note of alarm.)
I was also learning about dynamics in my aunt’s and uncle’s marriage–which, on the surface, seemed so different from my parents’. I didn’t know my Mom and Dad to distinguish between families or to assign blame for the actions of the other’s blood relative. But, when you’re interested in finding power chips, one is just as good as another.
Unfortunately, twenty years later, I had fallen into assigning blame to my wife for my unhappiness. I have come to believe that humans who feel their lives are controlled become focused on controlling the people to whom they have abdicated. “I am powerless to make myself happy so YOU must do it for me!” Blaming is the way we excuse ourselves for failing at this mis-directed endeavor.
My marriage ended in divorce, unlike Aunt Marrian’s–although at one point, she drew up divorce papers. I’ve had the good fortune of being alone with the consequences of my choices long enough to consider I might not have been right. As a shift in the foundation of my thinking, it’s been liberating. It’s helped me be patient with others.
It’s helped me be patient with my aunt who–although she likes me very much–actively disapproves the way I look, my career choices. I recognized that being unable to make her happy is just as it should be.
Saturday before last I made the hour drive to her home to wish her Happy 89th birthday. I arrived to find Aunt Marrian in the studio she converted from my cousins’ former bedroom. She hasn’t painted for a few years so had placed an ad to sell her art supplies. Two women were there claiming spoils from Aunt Marrian’s organized piles. She totaled the charges–mostly in her head–and offered them some cake in the kitchen. She tottered–a result of fused vertebrae–but didn’t stop moving until each plate had been served with a fork and paper napkin. Then she settled on the loveseat and began explaining how my long hair and beard would be unacceptable to my dearly departed mother, her sister. One woman argued that it wasn’t as important as all that but Aunt Marrian returned a volley about how handsome I would be without . . .
I interrupted. “Do you want me to make you proud by singing for them?” I went into her formal living room and opened the pecan grand piano (she acquired twenty-five years ago when she withdrew the divorce suit that would have ruined Uncle Owen financially). By the time I finished the song, the women were watching from the entry hall. We all walked through the front door into the sunshine.
While Aunt Marrian looked in her mailbox, I told one of the women about my blog. “Dumpster!” Aunt Marrian had overheard, “Why would you call it diamondsinthedumpster?”
She seemed to get quite tired during the soup and salad we shared at her kitchen island but she did one more math problem in her head when I brought up how much water a person should drink based on body weight. While we cleared the dishes, she passed along a housekeeping tip she had just picked up.
We hugged just inside the back door; then she walked me into the carport to my car. I pointed out a bright side to outliving her brothers and sisters: “You get to have the last word.”
She leaned backwards against her ride these twenty-five years–a sporty convertible–to relieve discomfort in her back, I presumed. “Oh, I’m so lonesome for my family now,” she was serious. “I’m ready to go at any time.” I didn’t cry like I did the first time she told me this some months ago. I understood she wasn’t talking about quitting. Nothing in her character is about to quit.
I slid into my car commenting on the nice life she continues to sustain. “You’re a remarkable woman!” I said looking up through the driver’s side window.
“Am I,” she said over her shoulder, pleased but half mocking. “Yes, I guess I’m a remarkable woman.” Aunt Marrian brought herself upright again, balancing her capri-clad legs over her stylish sneakers. She squared her shoulders on a frame that without heels maxed out at 5’3, that this impromptu call to action transforms taller. Then, with a quick glance to make sure I was watching (and laughing), turned her face in profile, set a firm chin, a studied unconscious smile, instantly placid, eyes fixed in a faraway gaze both resolute and mysterious. Before me I see the woman carved of granite, billowing skirts, the forger of frontiers, the aunt I’m to remember, the woman she was supposed to be.
And, in important ways, is.
Find what’s yours . . . truly, danscir52
copyright 2013 Dan Christensen all rights reserved
We didn’t grow up calling it that. A new acquaintance of my sister–just now, after our parents have been gone these many years and more than a half century since they designed an addition to our home with a separate entry–used the words. It was how a fellow citizen of the town let my sister know they were talking about the same house.
My parents welcomed them through the one or conversed in evening shade on the triple glider that graced the front porch from then on. They tended roses along the edge of the branching walk. The porch was a frequent setting for family photos. It was the first and last shelter from storm and sun. It was there one summer morning my nephew approached me from the car with his dad and announced, “I have a new baby sisto’.”
Three years later, I asked my parents to host my wedding open house in their home. It had been my dream to have such a party there. My sister and her husband helped work out logistics. The plan included routing guests directly to our receiving line in front of the fireplace. At last, the extra door investment paid off for crowd management. The house’s main entrance was the designated exit so, as guests arrived, my brother-in-law directed them to that other front door!
Just to say goodbye, I opened the seldom-used door again last winter. My sons (now grown), their partners, and I were salvaging fixtures and features of the house. You see, town traffic has overgrown its streets–even without our turning the old place into a multi-family dwelling. Ours, the Cooks’ and two other neighbors’ houses are slated to come down.
The storm door lock–original to construction–still works.
Find what’s yours . . . truly, danscir52
copyright 2013 Dan Christensen all rights reserved
My trip took less than a day and a half but, oh, the travel through time and space! Just how far is it between the spot by the sump pump where I watched Mother hang laundry (on lines Dad had strung from the floor joists above) and a snowbank behind Sister Larkin’s where I helped yesterday’s estate sale customers load their SUV? Or how do you measure the space of memory? How did I know, without seeing in the predawn, exactly where to lift the weatherproof flap to turn on backyard lights, then lead the first wave of secondhand dealers into Dad’s shed? What is the distance back to the dining room to total up another sale–a guy had lined up four pairs of ice skates on the turquoise couch–and explain my father was serious skater, he and my brother filed grooves into the blades by hand–and then bid up his offer?
copyright 2013 Dan Christensen all rights reserved
I admit this concept seemed to have little relevance in my culture–although the rugs continued to be valued.
Fifteen years ago as staff in an art gallery, I worked with a painter whose focus was Navajo art and philosophy. One day I thought to ask her if my mother was right about the “flaw.” This woman’s understanding was that Navajos long ago observed human nature to include excessive focus on works of the hands. The remedy: an artisan nearing completion of a rug or basket weaves the extra line deliberately for the benefit of his or her own spirit. It is a physical symbol and conscious act of freeing the spirit of the maker.
Now THIS has relevance. I have melded the concepts–what I grew up with and what my new friend explained–and am evolving my own way to view my flaws. A bonus came by observing a difference between my son and me: “How is it you don’t beat yourself up when you make a mistake?” I asked one night as he sat on my couch. He told me what he had learned from studying art all through junior high and high school: “The first two years I was always erasing. Then I realized what I thought were my mistakes sometimes turned out to be some of my best ideas.”
Obsessiveness about being perfect–or not having any flaws–is its own evil. It keeps me from moving. I paralyze myself, prevent the next mistake which just might be the best act or move or stroke or choice ever! If I make a “mistake,” I have decided to say to myself, “My intention is to use that flaw as a line for moving beyond the boundaries of this project, for freeing my spirit.”
Take my advice. Commit to a color, put something in place, draw a bold stroke, cut to length. Then move on. Avoid premature assumptions about spoiling the project. If it isn’t working out the way you thought it would, it just means you aren’t done yet. It might just turn out better than you could have imagined!
Find what’s yours . . . truly! danscir52
copyright 2013 Dan Christensen all rights reserved
Being comfortable with ambiguity. Can I enjoy process, relax about not knowing missing detail? Putting puzzles together: exercise for brain–and emotion!
I’m good at puzzles. And like doing them. Comparing slightly different shapes, distinguishing subtle color variations or pattern shifts. I’m sure it’s a way of engaging the part of the brain that explores space. (Have you ever seen those tests that have you look at a drawing of an un-assembled box and then predict its shape after folding–in your head–along the dotted lines? Well maybe I’m weird but, combined with the adrenaline of sitting for the GRE, I swear I got a high taking the “quantitative” section. Question after question coming at me with boxes to fold or unfold. I soared through “space,” got a high score too. Of course, it was an expensive pleasure.) It’s its own special thrill to study the puzzle picture, look at assembled-so-far pieces, pore through and pick from the many available, and have one fit!
So what happened? What changed a decade ago that I hadn’t sat down to a jigsaw puzzle since?
Back in the day, I guess I was carefully honing a prejudice about efficiency. My head space became increasingly crowded with expectations about long-term goals, billable hours, blame about mistakes, shame about results. I began to just say no to puzzles, those piles of random pieces that consume unpredictable commitments of time. Too much chaos, too little payoff–I thought.
I thought and thought and thought–until I filled the available nooks and crannies of my head. I was like a hoarder of conclusions. Me, a person who enjoyed the process of bending, became inflexible, foredrawn. No room for puzzles meant no room for the puzzle of being human. Might have been lethal . . .
But luckily life-changing–for the better. I set about cross-examining myself about the choices I had made until, finally, this year I even called my thought PROCESS into question. (A friend recently quoted some contemporary wisdom: “If you argue with yourself, you have a 100 percent chance of losing.”) I stumbled across the truth of that concept! It was a heady win win: Hey! I can choose to make a case and argue it but I can also choose not to. ARGUMENT can be a waste of time, of inner space–space designed for comprehending lovely shapes.
Then–perhaps to help me absorb what I had learned–a jigsaw puzzle arrived by accident . . .
Actually, I bought it for its box. I was presenting a project to my daughter (another post) for Christmas. The afternoon before our gift exchange, I dashed to DI. The box–that I planned to line and cover–right-sized, thin, flat, square with an abstract oil painting printed on top contained an un-assembled 500-piece jigsaw puzzle which looked surprisingly beautiful dumped out on my coffee table. Before our little party though, I cleared away the pieces. Brought them back out after. What if I just started? Would I still be good at it? Would I spend too much time?
Time was what I had. Having run from one holiday activity–decorating service, acting, concert singing, church music, gifts and food production–to another all through December and before. I needed to suspend schedules and hibernate. I put on movies and worked on the puzzle.
Despite the aesthetic pleasure of its swirling bright colors imposed on large random cardboard shapes–(I bagged these for some future use )– I gave up on the abstract oil. Too hard and I suspected several edge pieces–the easy ones–were missing. I replaced it with a distinct photo puzzle–New Harbor, Copenhagen–still factory sealed, 50 cents.
So my restart included the premise was that there were no lost pieces which gave me some security as searches for key connecting colors, interlocking shapes produced frustration.
And, gradually, even against frustration, I began to argue less. Why shouldn’t a puzzle be puzzling? Why wouldn’t I want to study, look really hard, sort through types and patterns in my head, experience the joy of discovering clues I hadn’t known before? Doesn’t building tension actually increase the pleasure of nailing a solution?
Opening closets full of judgment and emptying out their unhappy contents, I sensed more available memory–and heart–for the project at hand. And built my satisfaction.
Puzzle solutions require organization. After I finished the photo puzzle, started this fairly hard one (a map of Yellowstone shown here upside down). First the edges, then sorted out all pieces that had a thin, red “main road” line going through them. (Spread them on two round trays easy to spin.) Dotted lines (dirt roads) also helped distinguish among numerous subtle details. But to further complicate, the box illustration cut off the picture on three sides. Bogged down by not knowing relative locations of park features, I turned to Google. I had studied the puzzle long enough to figure out where a piece would fit using internet written description.
Assembling such a detailed map further schooled my patience–or lack of being judgmental–with slow process. A long journey through favorite mind and heart places!
Find what’s your . . . truly, danscir52
copyright 2013 Dan Christensen all rights reserved